Review of ED.EM.03 in PhotoBook Journal by Martin Toft

Many thanks to Douglas Stockdale for his PhotoBook Journal review of our latest edition of ED.EM.03 - On the Social Matrix representing 165 years of portraiture in Jersey by Henry Mullins and Michelle Sank. Accompanying the images is a text by Gareth Syvret that contextualises both photographer's work in a period that has seen the island undergo important changes both socially and economically. This publication examine those changes, but also the power structures that remain in place. Get your copy here!

https://www.edem.je/editions/p/ed-em-03

For collectors we have a special offer of the first 3 issues of ED.EM. at a discounted price.

https://www.edem.je/editions/p/ed-em-01-03

Becque á Barbe: Face to Face - my Jèrriais portrait projects begins again after CV-19 by Martin Toft

In 2019 I began a new project Becque á Barbe / Face to Face with the aim of making 100 portraits of Jersey's native speakers. Since then a certain pandemic intervened and almost 2 years on I'm pleased again to be spending time with some of the most endearing islanders who grew up speaking Jèrriais – Jersey’s native language of Norman French.

On a linguistic level the project is exploring the space between the formal, etymological and vernacular use of Jèrriais. Each portrait is titled with a Jèrriais word that each native speaker has chosen to represent a personal or symbolic meaning, or a specific memory linked to his or her childhood. Some portraits are darker in tonality to reflect the language hidden past at a time when English was adopted as the formal speech in Jersey and Jèrriais was suppressed publicly and forbidden to be spoken in schools.

In an island made of granite most names are forms of the Celtic, Norse and Latin words for rock. Most Jersey place names are also using proper French rather than Jèrriais, although there are variants of place names that native speakers would have used in a local context. Juxtaposed with portraits of Jèrriais speakers are a series of photographs of Jersey rocks that are all designated as Sites of Special Interest (SSIs); important geological outcrops that are protected from development and preserved for future public enjoyment and research purposes. The native speakers of Jersey French should be classified as People of Special Interest (PSIs) and equally be protected from extinction through encouraging greater visibility and recognition as guardians of a unique language that are essential in understanding the island’s special character.

A selection of images were initially exhibited at CCA Galleries International, St Helier (23 May - 12 June 2019) as a way to encourage native speakers to come forward and to support the project's aim to publish a photobook. A review was featured in Islands of the Mind - an online archipelago of real and imagined islands curated by Belgian photographer Sylvie De Weze.

https://islandsofthemind.tumblr.com/.../becque-%C3%A0...

If you know a native speaker, or are from a Jersey family where Jèrriais was spoken please DM me. On Wednesday I will be in the parish of St Martin together with my dear friend and Jèrriais teacher Joan Tapley.

All portraits will be deposited at Société Jersiaise Photographic Archive for future research and public enjoyment.

#becqueabarbe #TheLast100 #jèrriais #portrait

NFT Embroidery Workshop by Martin Toft

This week we had the pleasure of welcoming artist Yulia Makeyeva to Hautlieu School and work with our A-Level photography students in a workshop on Embroidery to help them develop new ways of thinking about narrative and making imagery for their animated film project that will be part of 2 Lives NFT exhibition later this year in St Helier, Jersey. The education programme begin with a visit to Jersey Museum in June to see the People Makes Jersey exhibition that explore the island's history and stories of immigration. In this workshop students are re-appropriating the exhibition panels kindly donated by Lucy Layton, Outreach Curator at Jersey Heritage. #2lives, #NFT #connectwithart

Launch of NFT Education programme by Martin Toft

Great to launch our education programme for A-level photography students at Hautlieu School together with artist and curator Yulia Makeyeva in the classroom and live video link from Rome with Francesco Vincenti and Claudia Runcio - the creaters behind 2 Lives NFT Art Project that will be Jersey’s first art exhibition connecting art and finance, through the introduction of NFTs. 2 Lives will consist of a traditional art exhibition at Connect With Art Exhibition Space in St Helier and NFTs offered on a digital platform in the metaverse. Students will be making a series of animated films and images using analogue and digital processes supported by a number of creative workshops in embroidery, 3D modelling and animation. Watch this space to see how their work develops in the next few weeks!

#2lives, #NFT #connectwithart

Dispatch 6 - Elsinore, Kingdom of Denmark by Martin Toft

My six my week sojourn around northwest Europe is coming to an end. It seems poetic to stay the last night at Baltic Hotel in Lübeck which was the centre of the Hanseatic League – a sophisticated trade empire flourishing in the 13-15 centuries. The trading network of the Hanse merchants was based on a system of stable markets and foreign offices (kontoren), eg. in London, Bruges, Bergen, Novgorod, Danzig (Gdańsk), Riga, Reval (Tallinn) and many more. The successful linkage of sea, river and land routes was one of the reasons for the success and longevity of the Hanseatic trading system. The vestiges of this well organised maritime super league are evident throughout the Baltic and North region, and no doubt they established a maritime entrepôt that Jersey merchants later benefitted from as various nations, including Denmark, Sweden, the Netherlands, Prussia and not least Russia vyed for power to control its riches. Tomorrow I’ll begin my journey back to Jersey and once again the adventure of Entrepôt has been fascinating as it touches on topics of trade, shipping, merchants, commodities, diplomacy, finances and migration.

In the excellent maritime museum of Denmark (M/S Museet for Søfart) in Elsinore (Helsingør) an inscription on a gold coin from the Danish West India Company, 1778 (a chartered company that operated out of the Danish colonies in Caribbean islands of St Croix, St John and St Thomas and flourished in the North Atlantic triangular trade routes bringing slaves from the Gold Coast of Africa in exchange for molasses and rum in the West Indies), reads ‘In travelling the seas we enrich ourselves’. Perhaps Charles Robin, Jersey’s most successful merchant had traded with one of these coins as he embarked on establishing his dried cod empire in the Gaspé peninsula in Canada whose maritime connections reached many markets around the world, including the Baltic. It was Robin’s story fictionalised in The Seaflower Venture, an unpublished biography based on his journals written by Phylis Ross - aka Lady McKie (of which a copy is held in the Library archive at the SJ), that initially ignited my interest in 2017 with a visit to Robin’s headquarter in Paspébiac in the Bay of Chaleur in the province of Quebec. At M/S in Elsinore another quote was imprinted on the wall: ‘There are three types of people, the living, the dead and mariners’ (Anacharsis, Greek philosopher, ca 600 BC)

Image; Kronborg Slot immortalised in Shakespeare's Hamlet and where toll from every ships entering and leaving Øresund was collected for the Danish kingdom.

Dispatch 5 - at sea in between Finland and Sweden by Martin Toft

I posted this last night on a ship in the Baltic Sea between Turku and Stockholm. In the last month I have been exploring maritime history between Jersey and the Baltic as part of my project Entrepôt. I’m on the last leg of my journey travelling to specific locations and sites in Sweden and Denmark before returning home to Jersey. There has been many twists and turns on this trip as new research and discoveries have been found. Often Jersey ships would arrive in port with luxury goods produced from slave plantations in the American colonies, or sail from ports in the Mediterranean with commodities exchanged as part of the lucrative triangular trade, without knowing exactly where to collect a freight for the return voyage. In archival records we have accounts from captains’ logbooks describing how they would sail from port to port over several weeks or sometimes months in an attempt to secure a good deal as frustrations mounted from the shipowners back in Jersey.

Image: Dining room on ‘Vestland’, a Norwegian vessel carrying dry bulk between ports in mainly Scandinavia and the Netherlands.

#entrepôt

Baltic Dispatch 4 - on the Russian border by Martin Toft

A couple of days ago my trusted Landcruiser and I reached the Russian border with Finland on a small road on the eastern side. Sure enough within minutes the Finnish border police arrived. I tried in advance of my Baltic adventure to get a Russian visa to visit St Petersburg which is only a two hour drive from the spot where this image is taken. But for reasons unknown Russia don't have good relations with Denmark, so instead I tried to see if anything was possible on the ground, but the authorities said 'no'. Such a shame not being able cross the border and visit the great city of St Petersburg, especially as almost 20% of all Jersey ships (approx 200 over 200 years) entering the Baltic went there to trade in goods needed in the burgeoning shipbuilding industry.

The experience reminded my of my trip across Europe in 1999 when I decided to walk to war in Kosovo from my studio in Hampshire in the guise of a landscape painter (alter-ego) and make art along the way as part of my project INTERVENTIONS. Crossing many borders at a time when there was no freedom of movement between European nationals I had many similar interesting encounters with border officials, especially as I was making performances questioning the practice of painting and mark-making on the borderlands in a series of video works named PLEIN AIR I-V. At that time I had abandoned photography as documentary and inspired by Duchamp's readymades experimented with performance using lens-based media to record spontaneous events and happenings as I made my way through Europe by foot. It was a pretty crazy adventure and I arrived in Kosovo 68 days after leaving Petersfield, which was exactly the same length the conflict between Milošović's Serbian army and NATO' lasted. Various configurations of some of the work produced have been exhibited over the years, first at the Danish Museum of Photographic Art (Brandts) in 2000 and most recently a selection of works were exhibited at Øksnehallen in Copenhagen as part of major survey show looking at 100 years of street photography between 1917-2017.

If interested, see more here:

https://www.martintoft.com/interventions

https://www.martintoft.com/pleinair-iv

Image converted to B&W to give it a bit of the old Soviet style gritty look...

#entrepôt

Baltic Dispatch 3 - Poland by Martin Toft

After two weeks travelling across the Baltic exploring historical maritime trade and connections with Jersey I'm leaving Tallinn tomorrow on a ferry to Finland. Often described as the Med of the north the Baltic region has been fascinating visiting ports of Szczecin (Stettin), Świnoujście (Swinemunde), Gdańsk (Danzig), Riga, Pärnu (Pernau) and Tallinn (Reval). From records kept in Elsinore (Helsignør) where toll had to be paid to the kingdom of Denmark on ships moving in and out of Øresund we know that almost 1000 (991) Jersey ships entered the Baltic between 1634- 1857 with marketable goods (wines, coffee, sugar from the colonies in the Americas) to operate an entrepôt trade and to supply inputs into the island’s nascent shipbuilding industry, such as timber, tar, hemp, tallow, cordage, linen and also grain for the use of the fisheries, for consumption by islanders, and as fodder for Jersey cattle.

Today ports are no-go areas. The days when you could go to the harbour and watch ships arrive and depart are long gone. Now you are faced with endless fencing and aggressive security monitoring your every move. Like offshore finance, shipping is happening in a place elsewhere away from the public with container terminals and cargo depots operating out of free ports on reclaimed land. Historic waterfronts and old harbours, that once was alive with heavy industries of ship building and other general dock work are now designated as entertainment areas, modern apartment blocks and high-rise offices. Major developments in all port cities I visited are taking place transforming them into fancy living and working quarters for the new generation of millionaires, or investment opportunities for foreign real estate and developers financed with offshore capital, probably through international finance centres such as the island of Jersey, or similar.

However, as always there are ways you can penetrate the system and get a glimpse of life on the ground. I was happy to spend time with shipyard workers in Szczecin who historically was instrumental in the first uprising against working conditions in solidarity with their colleagues in Gdańsk. A clear memory of my childhood in the 1970s Denmark was seeing Lech Wałęsa on TV who as a trade union activist became a spoke person against the Communist regime in Poland. I think it must have been my first awakening to socialism, and on a personal level it was an honour visiting both sites of protests in the port of Szczecin and Gdańsk, although those original shipyards have disappeared alongside the highly skilled workers (less than 10% are employed today.) Gdańsk, or rather Danzig as it was named when it was part of Prussia was also the historic port where Jersey ships would load with grain, such as wheat, barley and rye. Today, grain production is a still major industry and on the fertile lands in the delta of the Vistula river I visited arable farms owned by large global farmland asset management companies. The old structure of capitalism still exists with wealth and power controlled in the hands of the few.

Entrepôt is a project exploring wealth and it emerged from research into the origins of Jersey’s banking history undertaken as part of Masterplan, a parallel project using photography, film and archives exploring the island’s contemporary prosperity as an International Finance Centre. With Jersey operating as an entreprot; the island’s historic merchant trade of global commodities conducted across multiple outposts can be seen as a blueprint for a future offshore financial services industry facilitating international flow of capital from other jurisdictions.

Image: Grzegorz, Nowotna Farm in the region of Pomorskie, Poland

#entrepôt